Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.
This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.
In the early days of New Girl, Jess Day (Zooey Deschanel) was a toddler-sized tutu made flesh: cute, affected, hard to actually dislike, but earning grins largely by doggedly evoking childhood's clumsy and doomed attempts at grace.
Back in the early 1950s, as a lonely, pregnant young wife already ruing her rash elopement, Edna O'Brien sobbed through the ending of Flaubert's Madame Bovary and wondered, "Why could life not be lived at that same pitch? Why was it only in books that I could find the utter outlet for my emotions?"
To mangle a familiar quotation from Tolstoy, all regions of Italy are different, but each is Italian in its own particular way.
Suppose the Italian regions were women (humor me here). Lombardia would be a glamorous but unapproachable Milan model. I see Emiglia-Romagna as a wealthy, slightly dowdy widow. Umbria would be the wholesome, friendly girl next door. Unlike the American girl next door where I live, however, this one is a terrific cook.
On cable TV, there's a whole truckload of reality shows that make fun of working-class, white Southern culture. They are some of the most popular and talked about new shows, too, such as Here Comes Honey Boo Boo and Duck Dynasty.
MTV tried cashing in on the redneck TV trend with its own hyped-up platform for young Southern kids behaving badly, Buckwild. It played like a Southern-fried version of Jersey Shore. Its stars were a dimwitted crew of young people in West Virginia drinking hard and riding pickup trucks through ditches filled with mud.
It's the end of an era at the Little Art Theatre in Yellow Springs, Ohio. On Tuesday, the theater will run its old, 35 mm film projector for the last time. Then, starting Wednesday, it will close for several months to install an expensive new digital projection system.
We physicists are all romantics. Don't laugh; it's true. In our youth we all fall deeply in love. We fall in love with a beautiful idea: beyond this world of constant change lies another world that is perfect and timeless.
This eternal domain is made not of matter or energy. It's made from perfect, timeless mathematical laws. Finding those exquisite eternal laws — or better yet, a single timeless formula for everything — is the Holy Grail we dedicate our lives to.
Throughout April, Tell Me More has been airing poetic tweets in honor of National Poetry Month. Series curator Holly Bass shares final tweets from celebrated poet Richard Blanco and Canadian listener Bauke Kamstra.
The last time we saw Walter Mosley's hardboiled hero Easy Rawlins, his car was hurtling off a cliff in the climax of 2007's Blonde Faith — a turn of events that Mosley hinted would be fatal.
But after months drifting in and out of a coma, Easy is back, and prowling the uneasy streets of 1967 Los Angeles in search of a missing teenager, Evander 'Little Green' Noon — for whom the book is named. Two years on from the Watts riots, LA is in the grip of the Summer of Love, and a lot has changed while Easy was unconscious.
Originally published on Tue April 30, 2013 10:33 am
The Onion published an essay recently called "Find The Thing You're Most Passionate About, Then Do It On Nights And Weekends For The Rest Of Your Life."The piece was satire, but it's how many of us respond to the question Mason Currey raises in his entertaining new book, Daily Rituals: How Artists Work. "How do you do meaningful creative work," he wonders, "while also earning a living?"