Arts & Life

This is a story about love and transformation. But first, it starts with resistance.

At 75, Chanjae Lee absolutely hated the idea of learning this bizarre thing called Instagram. He had never used the Internet before, never once owned an email account, and never understood the concepts behind Google or Facebook. Why did he have to learn Instagram?

It was because he missed his grandchildren, dearly.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Epilogue

Dec 2, 2016

On a scale of one to ten of how she's doing, these days Lauren Weedman is a solid eight. But the author of Miss Fortune: Fresh Perspectives on Having It All From Someone Who Is Not Okay hasn't always been this 'okay.' In fact, she revealed to host Ophira Eisenberg, "When I started writing the book, I was way less okay. It was very much embracing ... what a mess [I am]."

Chapter One

Dec 2, 2016

There's nothing like retreating to your favorite secluded spot and indulging in a good book. Next best thing? Hearing Jonathan Coulton sing about other people who enjoy seclusion, too! Then, nonfiction books get the blockbuster movie trailer treatment. Finally, find the perfect reading snack with a mash-up game featuring book titles reimagined as foods.

Heard On Literary Favorites

Prologue

Dec 2, 2016

The first step in choosing a great book to read? Check the reviews. Guess classic novels like Moby Dick from their actual one-star Amazon reviews. Then, see if you can tell the difference between a Choose Your Own Adventure book and a Weekly World News headline in one of the very first This, That, or the Others written for the AMA stage.

Heard On Literary Favorites

We're lucky enough to be joined this week by Daisy Rosario and Margaret Willison for looks at two new girl-themed stories.

First, non-Gilmore Girls person Stephen Thompson sits out of our usual rotation as we cover the return of the people of Stars Hollow in four new movies available on Netflix. Did we get what we were hoping for from this reunion? Did we get too much of Logan's goofy friends, or not enough? And what of Jess and his duffel bag?

Hot-Dog Tiaras And Other '70s Dinner Party' Delicacies

Dec 2, 2016

Last summer, Anna Pallai was leafing through her mom's cookbooks — sauce-splashed volumes of Robert Carrier recipes, issues of Supercook pinched together in a ringed binder — when she realized she'd stumbled across a gold mine. The books were full of meaty aspics and mousses coaxed into elaborate shapes: a crown made of blunted hot dogs, seafood mousse sculpted into the shape of a maniacally grinning fish.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

STEVE INSKEEP, HOST:

When you walk into the Smithsonian's "Art of the Qur'an" exhibition, you're met with a book that weighs 150 pounds. The tome, which dates back to the late-1500s, has giant pages that are covered in gold and black Arabic script.

Perspective is everything in horror films. The most important decision any scare flick can make is whether it expects the audience to identify with the villain or their victims. To see through the eyes of the prey (as in Rosemary's Baby, or this year's excellent Under the Shadow) requires only that the director make their situation realistically terrifying, so that we imagine we are frightened for our lives, too.

Late in mid-life Nathalie (Isabelle Huppert), a Paris high school philosophy teacher, suffers a string of punishing losses that threaten not just her well-being and sense of fulfillment, but her entire identity as a wife, daughter, mother and professional woman. Her husband (Andre Marcon) announces he's moving in with the mistress he's kept a secret for many years. Nathalie is forced to move the fragile mother (Edith Scob) she has propped up since childhood into assisted living; it doesn't go well.

The audacious biopic Jackie opens on the Kennedy Compound in Hyannis Port, Massachusetts in 1963, merely a week after John F. Kennedy was assassinated in Dallas. Though she welcomes a journalist into one of the Kennedy residences along Cape Cod, the now-former First Lady, Jacqueline Bouvier Kennedy, has no permanent home. History has shredded her lease at The White House, which she had controversially renovated during her husband's time in office, and her belongings had been hastily shuffled to storage, like a college kid taking a break between semesters.

One of the visual motifs of the stark and shocking Lao Shi (Old Stone) is a cigarette burning in the dark. As the movie's taxi-driving protagonist inhales, the tip pulses red like a warning beacon. It signals danger on the road.

The hazard is explained casually in the opening scene, in which Lao Shi (Chen Gang) waits while listening to a radio report about a driver who hit someone, but didn't kill him. Rather than be responsible for the victim's medical costs, the driver backed up and ran over him. In China, life can be cheaper than hospital bills.

Oshun Afrique is getting her 35th tattoo.

She has come to the Pinz-N-Needlez tattoo shop in Washington, D.C., where practically every inch of wall space is covered in artwork. While Afrique lounges on the sofa at the front of the small, quaint shop, owner Christopher Mensah sits at his desk and sketches her tattoo design.

Afrique came to the store after seeing Mensah's work in her Facebook news feed. She and Mensah both agree that anyone looking to get tattooed should scour online portfolios to find the right artist.

Ginger Rogers And The Case Of The Authorized Editions

Dec 1, 2016

The display cases in New York's Museum of the Moving Image are crowded with manifest nostalgia: paper dolls, lunch boxes, the Ben Casey M.D. board game. And in one corner, amid a trio of unassuming but unexpected books: Ginger Rogers and The Riddle of the Scarlet Cloak.

Author Andrea Davis Pinkney used to sleep with a copy of The Snowy Day. "I loved that book — it was like a pillow to me," she says.

You can hear Harold Lopez-Nussa's training when he plays. The 33-year-old pianist is reluctant to admit the classical influence on his jazz playing, but he's quick to acknowledge that he, like many other great Cuban pianists, was classically trained. "This is the school that we have to learn music in Cuba; it's classical," he says. "I did all my stuff there from 8 years old to 25."

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AUDIE CORNISH, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

If any image haunts TV news, and perhaps our conscience, it's the seemingly ceaseless river of migrants seeking refuge from war, dictatorship and poverty. These desperate souls inspire pity, fear and election-year arguments about whether to offer them welcome or keep them out.

It was in 1974 that William Christenberry found the little red house.

The photographer and painter, a vital chronicler of rural Alabama, came across the building standing alone among the pine trees, deep in the Talladega National Forest. All he had with him was his tiny, no-frills Brownie camera — a long-cherished gift that "Santa brought my sister and me."

Odysseus was the man of many minds and many ways, according to his Homeric epithets. And among the many minds of Odysseus, there's room for a space queen.

Odyssia is warlike, merciless, "witchjack and wanderer," "starminded," '"wolfclever," "lightspeed," a "wolfwitch." Written by Matt Fraction and illustrated by Christian Ward, ODY-C is a beautifully colored space Odyssey, both graphic and novel, which makes Homer new.

Spain's national art museum, the Prado, has been around nearly 200 years and has one of the world's biggest collections of Renaissance and Baroque art.

But only now has it devoted a solo exhibition to a female artist: the 17th century Flemish painter Clara Peeters.

In the 1990s and early 2000s, TV shows didn't have a lot of love for mass transit — as Homer Simpson pronounced, "Public transportation is for jerks and lesbians."

Remember a couple of years ago, when it seemed like we were all one big happy family, Americans of every age and political stripe, joined in common pursuit? Millions of us spent that summer pouring buckets of ice water on our heads, to raise money for amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig's disease.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Longtime activist Cleve Jones has dedicated his life to working with members of the LGBTQ community, but growing up he felt like the only gay person in the world. He tells Fresh Air's Terry Gross that he felt so isolated as a teenager that he considered suicide. Then he read about the gay liberation movement in Life magazine and his outlook changed.

At an exceptionally strong Toronto International Film Festival this year, Moonlight was the film I kept hearing that people couldn't get into. One critic told me he'd tried at three different screenings; all were full. That's not a terribly common Toronto tale, particularly with a film where the director/screenwriter and the lead actors are not especially famous. What was driving people to the film was word of mouth. What was driving them to it was that people kept telling them how good it was. That's how it ought to work; that's not how it always works.

The elusive dream of adolescent empowerment has been with us for at least as long as we've had Clearasil or wedgies. Tweens, teens, and everyone in between have enough wherewithal to know what they want, but not enough agency in their own lives to get it. And director John Hughes tapped into that youthful anxiety perhaps better than anyone in the history of Hollywood. Ferris Bueller's Day Off, Weird Science, The Breakfast Club, Home Alone and his other early films all gave a voice to those caught in the age old battle between us and them.

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