This Sunday marks the season finale of “Alabama, Inc.,” the television program about business that airs on WVUA-TV. Alabama Public radio has been collaborating on the show, with News Director Pat Duggins conducting entrepreneur profile segments. This Sunday, Pat sits down with Dr. David Bronner, the head of Retirement Systems of Alabama, or RSA. “I’ve had governors, a few of them, like me,” says Bronner. “I’ve had most governors hate the sight of me.” That might not be something you want on your resume. But, David Bronner doesn’t seem to mind.
It's true enough that there's plenty wrong withGatsby Le Magnifique, as the French are calling the latest from director Baz Luhrmann. But what better film could there have been to open the sensory onslaught that is the Cannes Film Festival than one orchestrated by that patron saint of overstimulation?
All year long on Alabama Public Radio we’re looking back on pivotal moments in the fight for civil rights. Many of the landmarks in the battle against segregation can voter discrimination are now tourist attractions. We have already looked at sites in Selma and Montgomery on Alabama’s Civil Rights Trail and now we head to Birmingham.
The video for Chinese artist Ai Weiwei's newly released song starts by re-creating the conditions of his captivity during the 81 days he was held in police detention in 2011, and later dissolves into a dystopian nightmare.
Credit Louisa Lim / NPR
Ai monitors the reaction to his new song on Twitter on Wednesday, the day the song was released.
After years of trying to conceive, novelist Jennifer Gilmore and her husband decided to pursue a domestic open adoption. They were told they'd be matched within a year; it took four. And along the way they faced complicated decisions and heartbreak.
America has a love/hate relationship with tattoos, but body ink is becoming more and more mainstream. Host Michel Martin speaks with Fatty, the owner of Fatty's Custom Tattooz in Washington, D.C, about America's fascination with tattoos, and the fading cultural taboos.
I'm Michel Martin and this is TELL ME MORE from NPR News. For the end of our program today, we want to talk about two aspects of American style. In a few minutes, we're going to talk about tattoos. They used to be something you got when you went into the Army or to jail, but now they've gone mainstream. We'll talk with a leading tattoo artist about that in just a minute.
Butterscotch is going through something of a revival. So much so, that two Kitchen Window contributors wanted to write about it. Therefore, welcome to the more-than-you-ever-thought-you-needed-to-know-about-butterscotch special coverage. Today is the second in our two-part butterscotch series. Last week's column has more recipes featuring this resurgent flavor.
Chimamanda Ngozi Adichie's fourth book, Americanah, is so smart about so many subjects that to call it a novel about being black in the 21st century doesn't even begin to convey its luxurious heft and scope. Americanah is indeed a novel about being black in the 21st century — in America, Great Britain and Africa, while answering a want ad, choosing a lover, hailing a cab, eating collard greens, watching Barack Obama on television — but you could also call it a novel of immigration and dislocation, just about every page tinged with faint loneliness.