Fresh Air

Weekdays at 7:00pm and Sundays at 2:00pm
  • Hosted by Terry Gross

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

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DAVE DAVIES, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross, who's off this week. Most of us have jobs where we have to behave ourselves. In Joe Buck's job, he gets to yell.

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DAVE DAVIES, HOST:

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DAVE DAVIES, HOST:

What Is Driving The 'Unbanking Of America'?

Jan 10, 2017

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As the child of two Hollywood actors, Jeff Bridges can't remember the first time he was on a film set. He wasn't yet 2 years old when he appeared in the 1951 film The Company She Keeps with his mother, Dorothy Dean Bridges. Later, he and his brother, Beau Bridges, sometimes appeared in the TV series Sea Hunt, which starred their father, Lloyd Bridges.

But despite his early exposure to show business, Bridges tells Fresh Air's Dave Davies he wasn't always sure he wanted to be an actor.

She's one nasty woman, that Betty Fussell. Now 89, Fussell came of age in the heyday of bright and breezy Bettys — Betty Grable, Betty Hutton, Betty Crocker — but she clearly gravitated toward the one dangerous dame of the bunch, Bette Davis.

An essayist and author of some 20 books on food and travel, as well as the acclaimed memoir, My Kitchen Wars, about her marriage to and divorce from the late cultural historian Paul Fussell, Betty Fussell doesn't mince words.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Lin-Manuel Miranda On Disney, Mixtapes And Why He Won't Try To Top 'Hamilton': Miranda says he doesn't feel the need to duplicate the success of Hamilton. "If you think in terms of topping, you're in the wrong business," he says.

Director Damien Chazelle's La La Land is an unapologetic musical that hearkens back to Hollywood's glory days of song and dance. The passion and grandeur of the musical numbers might make you believe that Chazelle had always imagined himself working in the genre, but he tells Fresh Air's Terry Gross that's not the case.

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TERRY GROSS, HOST:

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When Lin-Manuel Miranda was a teenager in the 1990s, he liked to make eclectic mixtapes for his friends. In those cassettes, he experimented with the rise and fall of energy in music: A musical theater number might play after a hip-hop song, only to be followed by an oldie or an obscure pop song. It was through mixtapes that he could bridge the gap between two seemingly opposing passions — Broadway and rap.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

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Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

In 'An Excellent Year' For Film, Critic David Edelstein Shares His 12 Favorites: Edelstein estimates that he saw 400 films in 2016 — more than enough to fill "a couple of 10-best lists." He talks about a dozen of them with Fresh Air's Terry Gross.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Mike Mills Grapples With His Mother's 'Tricky Ghost' In '20th Century Women': The director's latest film is inspired by his desire to understand his mother. Set in Santa Barbara in 1979, it stars Annette Bening as a woman struggling to raise her teenage son on her own.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

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TV critic David Bianculli says that 2016 wasn't a great year for broadcast TV — but that's OK, because audiences had a lot of streaming, cable and Web options to make up for it.

"The things we're getting out of Amazon and out of Netflix and out of Hulu, it's increasing our options and they're trying some pretty good stuff," Bianculli tells Fresh Air's Terry Gross.

Film critic David Edelstein estimates that he saw 400 films this year — more than enough to fill "a couple of 10-best lists," he tells Fresh Air's Terry Gross. His favorite? The fantasy musical, La La Land, starring Ryan Gosling and Emma Stone.

"Everything — the movement of the camera, the colors of the set and the costumes, the rhythms of the actors — harmonizes with everything else," Edelstein says. "It's a beautiful combination of an homage to the past and something entirely new."

It's been an unusual political year, to put it mildly, and you could write most of its story just by tracking its effects on the lexicon — the new words and new uses of old ones, some useful, some that we could do without.

I'll come to some of these in a minute. But for my word of the year, I'll go with "normal" and its sister "normalize." That may seem perverse for a year like this one, but when people are talking a lot about normal it's a sign that we're living in extraordinary times.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

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