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Fresh Air
Weekdays at 7:00pm and Sundays at 2:00pm
Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.
Latest Episodes
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The Atlantic writer Anne Applebaum says President Trump's dismantling of the U.S. civil service system, and his attacks on judges and his opponents, are part of a playbook on undermining democracy.
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Adam Ratner predicts the appointment of anti-vaccine activist Robert F. Kennedy Jr. will impact vaccine availability and hesitancy: "It is much easier to scare people than to unscare them," he says.
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Horwitz died suddenly in 2019 while on a book tour. In Memorial Days, Geraldine Brooks grieves her husband — and also reflects on the life she might have lived had they not met.
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From grand and elusive creatures to small and bizarre ones, David Attenborough's BBC docuseries offers wonders in every frame. Michelle Yoeh plays an evil emperor in a new Star Trek made-for-TV movie.
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New York Times writer Charlie Savage discusses the scope of executive power as President Trump circumvents Congress, pushes legal boundaries and fires scores of federal workers, including at the FBI.
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In SLY LIVES!, Questlove documents the genius of a funk trailblazer — and the pressure Sly felt as a Black artist. Stan's up for an Oscar for his portrayal of President Trump early in his career.
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Dan Aykroyd shares the inspiration for the Blues Brothers. Writer Alan Zweibel remembers working with Gilda Radner. Al Franken recalls a sketch that got pulled. Jon Lovitz talks about master thespian.
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There are many reasons to seek out Charles Burnett's long-buried 1999 film, but perhaps primary among them: The rare chance to see Lynn Redgrave, Margot Kidder and James Earl Jones share the screen.
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Though less effervescent than past, The White Lotus Season 3 serves up plenty of financial secrets, dark family histories and kinky hijinks as it shoves its characters out of their comfort zone.
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Ross' Oscar-nominated film centers on two young Black men attempting to survive a brutal Florida reformatory school in the 1960s. He says he's sees the rural South as a "meaning-making space."