Jason Sheehan

Blake Crouch spins out grounded, accessible tales with an admirable internal precision no matter the genre. His newest, Upgrade, is no different.

A thousand pages is a lot. But there's Ken Liu's voice to hold onto in this third installment of his epic — beautifully deployed and fully in command of the language of his imaginary universe.

The Damocles threat Fonda Lee has let dangle over this entire series is that no one in these pages is ever safe — the world she has created is dangerous and everyone in it has a place where they end.

Fan Fiction is part memoir, part noir pastiche and maybe a little bit true. Is it a great work? No. Is it a lot of fun? Yes. Is it a book that could only have been written by Brent Spiner? Absolutely.

What appears to be a simple, awful police killing turns out to be much worse in Cadwell Turnbull's new No Gods, No Monsters, set in a world where monsters and magic are real, and none of it is pretty.

This year's Summer Poll is all about the past decade in science fiction and fantasy, so we asked critic Jason Sheehan to come up with his own list of the new sci-fi that's blowing his mind.

Claire North's new Notes from the Burning Age is set far in the future — but the titular burning age is our own, an age of waste and exploitation from which only fragments of knowledge remain.

Chef and food writer Anthony Bourdain died by suicide in 2018. The new documentary Roadrunner gathers people who knew him well to praise and remember him, and also to rage about his death.

Simon Van Booy's new novel Night Came With Many Stars follows several generations of a Kentucky family, their crossroads and choices, their curses and hard memories, their luck and their chances.

The Mass Effect series is known almost as much for its storytelling as its actual gameplay — as the series is rereleased in an omnibus Legendary edition, we look at what makes it so literary.