Bruce Warren
Bruce Warren is assistant general manager for programming of WXPN in Philadelphia. Besides serving as executive producer of World Café, Warren also contributes to Paste magazine and writes for two blogs: Some Velvet Blog and WXPN's All About The Music Blog.
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Other honorees included John Prine, Rosanne Cash, Irma Thomas and k.d. lang. -
The latest album by the Philadelphia-based indie rockers is their best yet.
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Jones' new album, The Fall, maintains her jazzy, sultry sound while pushing into more contemporary pop territory. It's a different direction for the singer, but suitable for old fans and newcomers alike. -
Dr. Dog's "Worst Trip" combines classic rock with indie-pop and soul; its universal, accessible sound seems modern while recalling Todd Rundgren, The Band and The Kinks. Mostly, though, its captivating pop hooks and lush instrumentation lead back to the Beatles, and John Lennon in particular.
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Much of the material on Lucinda Williams' West was inspired by the death of her mother, as well as a bitter breakup. The album's heartsick "Are You Alright?" functions as either a post-breakup lament or a tribute to a lost loved one, or possibly both. -
It's audacious to declare the end of an entire musical subculture, and downright outrageous to do so when it's your musical subculture. With "Hip Hop Is Dead," Nas attempts to steer the genre in new directions while reasserting his status as one of its foremost personalities. -
The tone of The Twilight Singers' "Live with Me" moves beyond that of a simple lover's plea: Over an ominous slide guitar, washes of electric guitars and a pulsing backbeat, the vibe gets pushed into ever more unnerving territory, thanks to two great singers who know their way around it. -
Aaron Behrens and Thomas Turner, who perform as Ghostland Observatory, play electronica with the ferocity of great rock 'n' roll. The Austin duo's music presents a beguiling synthesis of new-wave-influenced bands like The Rapture and the progressive dance-floor musings of Daft Punk. -
A concert favorite of Deadheads, "Stella Blue" doesn't seem like natural turf for Willie Nelson and producer Ryan Adams, but the cover plays out as a guitar-soaked country power ballad, with Nelson digging into the vocal with longing and resignation as Adams lays down guitar feedback. -
Years after breaking through as one of the most innovative and musically gifted acts in hip-hop, The Roots' members return with Game Theory, another groundbreaking collection of stellar and often political material.
