Many of these pieces are ironic, somewhat scornful, but many are not. Capote has sympathetic words for Marilyn Monroe and Elizabeth Taylor, and absolute encomia for Isak Dinesen and Capote's favorite American author, Willa Cather.
These memoirs are sociology, anthropology, like Margaret Mead's Coming of Age in Samoa, or travel narratives of distant and exotic places. Except that, of course, the time is now, the place is here, and the mysterious creatures speaking and under discussion are American women, friendly and intelligent and utterly un-understood by the mass of American males.
The other mainly Alabama essay is "Thirteen Ways of Looking at the Moon Winx," which is just that?a meditation not on the nearly defunct Moon Winx Lodge, but on the neon sign in front of the Moon Winx Lodge, which was supposed to be in service to the lodge but has now surpassed it.
The day in which a story collection such as Nine Stories by J. D. Salinger could create a major stir is, alas, long gone. Maybe that's too bad. These are very clever and satisfying stories. They deserve some readers.
By Don Noble
After finishing her MFA in fiction writing here at the University of Alabama, Jennifer Davis went on to win the prestigious Iowa Short Fiction Award with her collection Her Kind of Want, published by the University of Iowa Press in 2002.
This honest and clearly written memoir does begin in misery. In 1973, Kim Sun?e, at the age of three, is abandoned by her mother on a bench in a South Korean marketplace with "a tiny fistful of food" which was reduced to the crumbs of the title.
For years, Johnson, who was raised in Montgomery and studied journalism at Auburn, wrote four columns a week for the Atlanta Journal-Constitution. Unhappy with Atlanta traffic and that grueling pace, Johnson left the AJC in 2001. This has given her more time to write in a thoughtful, more leisurely way, and the result is Poor Man's Provence.
This is a remarkable first novel, impressive and sophisticated. The subject matter presents a big temptation to be hyperbolic, melodramatic, but Roy's voice is calm, reasoned. The story is told mainly in simple declarative sentences and is all the more powerful for it.
And in terms of empathy, maybe I am not the best reviewer for this volume. Bragg's people are, emphatically, not my people. But then again, maybe I am the right one to review this volume, because Bragg makes these people come alive for me, and in fact through some of the most beautiful writing you will find anywhere, makes me care about them, feel for them as individuals.
In Wicked City, he fictionalizes actual events in the Phenix City of 1954, a place so awful, Atkins writes, "no author could ever exaggerate the sin, sleaze, and moral decay of Phenix City, Alabama, in the fifties or the courage of the people who stood up to fight it."
By Don Noble
Ace Atkins' career has tacked this way and that over the years, but has never strayed very far from crime, especially murder.
This is not for the most part a volume full of blame or revenge, although there are more than enough guilty parties. This is Delbridge's own story, her very particular growing-up story, and while it is comical at times, these essays are laced through, as many memoirs are, with real pain.
The book closes with a recipe for "Cornbread Southern Style." Besides the obvious ingredients, this recipe calls for one tablespoon of sugar. Since "Pig Iron Rough Notes" was edited by an Alabamian and published in Alabama and the recipe came from J. M. Brown of Edgewater, Alabama, I take it to be the last, final, definitive word on cornbread. One tablespoon sugar.
Singleton has published three collections of stories, mostly funny, and then had only a semi-success with Novel: A Novel, in which he made fun of writers' colonies. In Work Shirts for Madmen, he has adjusted to the longer form, and this novel is a treat.
Tartts Three is a collection of twenty-three stories. One-hundred-seventy story collections were submitted to the third annual Tartt First Fiction Award contest. After choosing the winning collections, the editors went on to select the twenty-three best individual stories from the hundreds of stories entered. There is not a loser in the bunch.
Blonde Faith is the tenth Easy Rawlins mystery. The character, based on Mosley's own African-American father, was born and raised in Houston, saw fierce combat in the European Campaign in WWII, especially the Battle of the Bulge, and returned home to find he could not live in overtly bigoted Houston, so moved to make his life in LA, where the prejudice was more subtle and somewhat less lethal.