Finally, it's what our contestants have been waiting for. Let's bring back our winners to play our Ask Me One More final round.
EISENBERG: From Got Game, we have Max Bernstein. From Blinding Me With Science: Katie Hamill. From Submit It In Reduplicate: Matt Stefani. From Small Screen Adaptations: Brian Devinney. And from Long Before They Were Famous: Megan Schade.
EISENBERG: Art Chung, what do you have in store for us?
Guest troubadours Paul & Storm have emerged from their lab to share their latest experiment. To pay tribute to Thomas Dolby's 1982 New Wave classic "She Blinded Me With Science," the duo has reworked the lyrics to describe different scientific principles and discoveries. So put on your safety goggles and play along!
TV shows are sometimes based on popular films, and while some are successful (Buffy The Vampire Slayer) others...not so much (Spaceballs: The Animated Series). Host Ophira Eisenberg has a few of her own ideas in this game, where players must "adapt" movie titles into shorter series versions by removing a letter to form a new, more succinct title.
Did you know Ke$ha's song "Tik Tok" demonstrates a linguistic oddity? And we're not talking about her spelling. "Reduplicated" words contain repeated syllables, but with different vowel sounds. Puzzle guru Art Chung leads contestants in a game full of reduplicated word pairs, so quit your "chit-chat" and listen in!
Plus, guest music duo Paul & Storm play an extra-special cover of "Splish-Splash."
A few weeks ago, I asked a class of college undergraduates what the 1960s meant to them.
"That flower-power thing?" one young man volunteered brightly.
The further we get from that misunderstood decade, the more the many strands of its rebelliousness get reduced to a pop-culture T-shirt slogan, a cartoon strip starring tie-dyed youth with stoned eyes and floor-mop hair.
There's nothing particularly dynamic about Livia Manera and William Karel's documentary Philip Roth: Unmasked. For some 90 minutes, it's pretty much just one guy talking. But what a guy!
Roth is one of the greatest living novelists, possibly even the greatest. He can also be an inflammatory presence, eliciting outrage almost as much as admiration, particularly among women who see him as a misogynist.
TV, movie and video productions in Alabama increased in 2012.
The Alabama Film Office reports 31 projects were done in the state, and the production companies spent $33.5 million. That's up from $22 million in 2011. The secretary of the state Department of Commerce, Greg Canfield, said those productions provided more than 3,000 jobs.
Alabama offers rebates to production companies that choose the state, and those rebates totaled $9.5 million in 2012.
Originally published on Mon March 18, 2013 1:43 pm
Jessica Francis Kane drew considerable attention for her artful historic novel, The Report, which explored the repercussions of a tragic incident in March 1943, when 173 people died while rushing into the Bethnal Green tube station for shelter during an air raid. Her portraits of wartime Londoners were psychologically acute and rich in evocative detail. She applies that same skill to her second collection, This Close, populated by 21st century Americans adrift in an increasingly complicated world.
There's going to be a big fire at Alabama's largest state park, but it's all part of a plan.
Officials say they will ignite at least 130 acres at Oak Mountain State Park south of Birmingham on Thursday. It's a controlled burn meant to help promote the growth of longleaf pine trees in two areas.
Park officials conduct such burns regularly to get rid of smaller plants that compete with the pines.
Workers will burn about 130 acres of land near the park's campground, and later another 170 acres near a fishing lake.
Originally published on Wed March 13, 2013 12:16 pm
In his new novel, How to Get Filthy Rich in Rising Asia, Mohsin Hamid's nameless protagonist is an ambitious young man who moves from the countryside to a megalopolis in search of his fortune. The city is modeled on Lahore, Pakistan, where Hamid was born and partly raised and where — after living in the United States and England — he has now settled with his family.
William H. Gass is a glutton of language. Like a chef who can't cook without nibbling, he lards his own writing with similes and metaphors in the spirit of the books he loves, savoring them through imitation. In his essays on literature, this gusto is contagious. You want to taste his taste, to read what he has read. Gass' exuberant, bursting sentences convey the pleasure of reading and thinking better than just about any written since the New Critics took over criticism in the 1950s.