Angela Davis was once on the FBI's most wanted list. But decades after her brush with the law as a political activist, she remains a hero to some, and a villain to others. Host Michel Martin talks with Shola Lynch, the director of the new documentary Free Angela and All Political Prisoners.
I'm Michel Martin and this is TELL ME MORE from NPR News. Now we want to tell you about a remarkable film, one that the renowned director Ingmar Bergman called extraordinary. But it's a film that most people have never seen because, for decades, it was believed to have been lost.
Whether or not you give a damn for Superman, you know who he is. Even if you've never read a comic book in your life, no one can hear the name "Superman" without a flash of recognition: red-and-yellow S on blue background, red cape, the dark-haired man in flight, jaw set, blue eyes fixed on a distant destination. He's on his way to save the world.
Birmingham area disc jockey Shelley the Playboy may have signaled the start of the children’s march in 1963, but he didn’t organize it. The credit goes to a lieutenant of Dr. Martin Luther King, the reverend James Bevel. One of the teenagers he inspired was James Stewart… “He wore one of the blue jeans suits, and had badges from everybody, and pins all over, and he was baldheaded and wore this skull cap,” Stewart remembered, “And he’s the one who was the kids’ ‘pied piper,’ he talked to us about getting involved.
This is the second in a three-part series aboutthe intersection of education and the arts.
Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"
It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.
Two high-school sophomores — Ethan Wynkoop and Ti-Anna Chen — sneak away from their homes in suburban Washington, D.C., and fly to Hong Kong. They're searching for Ti-Anna's father, a Chinese emigre and dissident who believes that China is just a spark away from democratic revolution.
When people talk about movie magic, they rarely mean card tricks. They're talking about digital wizardry and special effects.
But a new documentary called Deceptive Practice: The Mysteries and Mentors of Ricky Jay is all about card tricks — and a man who has devoted his life to them.
Card artist Ricky Jay keeps up a constant stream of chatter in his act onstage — everything from gambling poems to stories about The Great Cardini — and it's all very entertaining, but the patter is designed to distract you from what he's doing.
Originally published on Thu April 25, 2013 3:25 pm
As an artist, Caitlin Freeman found her calling in cake.
Freeman started out wanting to be an art photographer. But one day, while still in art school, she came across Display Cakes,artist Wayne Thiebaud's 1963 painting of frosted confections, during a visit to the San Francisco Museum of Modern Art. The image was so arresting, it stayed with her for years, and later inspired her to set off on a completely different career path: baking.
Plenty of personal essayists, including really good ones like Nora Ephron, Anna Quindlen and E.B. White, burn out or switch to fiction after a few books. Even Michel de Montaigne, the 16th century French writer often acknowledged as the father of the genre that combines intelligent reflection with anecdotes and autobiography, produced only one volume — albeit a massive one. Yet here's David Sedaris with his eighth collection, the absurdly titled Let's Explore Diabetes With Owls: Essays, Etc.
To celebrate National Poetry Month this April, NPR Books reached into the archives for some interviews with the nation's official poets. Poets Laureate past and present have revealed their eloquence and insight in these interviews, where they discuss their inspirations, their heart-breaking memories, their confrontations with aging — and, in the case of Ted Kooser, how his wife felt about his thousands of Valentines.
“Let me know at the start of this conversation that I have never been a civil rights activist of any kind,” says former Birmingham radio disc jockey Shelley Stewart. “I want to make that perfectly clear.” The teenagers who took part in the 1963 children’s march see it differently They say they relied on signals and code words from Stewart’s radio show to know when the protest would begin. And even Shelley admits he knew firsthand what school kids, both black and white, could do in the race of racism. When he wasn’t on the air, Shelley the playboy played records at dance parties.