Alabama Public Radio continues its collaboration on the new television program, “Alabama, Inc.” It’s about business in our state—both big and all. The phrase “buy local” is often the battle cry to support mom and pop businesses in your neighborhood. But, saving a buck or two is also tempting when online retail giants offer the same items cheaper. And that's how local retailers around the state are losing millions in revenue to Internet sellers. One record store is looking for a middle ground between nostalgia and the digital age—by using the personal touch. Jimmy Griffin pays attention.
NASA is raising awareness for its upcoming launch of the Mars Atmosphere and Volatile Evolution spacecraft with its Going to Mars project. The MAVEN spacecraft is scheduled for launch this November, to study the Red Planet's upper atmosphere; the craft will examine why Mars lost its atmosphere, and how that catastrophe affected the history of water there.
Part of the appeal of podcasts is portability: You can listen at the gym, in the car, or on foot. Beyond portability, though, they offer another advantage: In a world of multimedia bombast, they return listeners to an ancient idea – people talking to other people.
In The Time Traveler's Wife, Audrey Niffenegger married her gently wry sensibility to a classic science-fiction conceit, and the result became a literary sensation — as much a tried-and-true staple of book-club culture as cheap malbec.
What do a forlorn Italian father, a costume-drama cad and a pair of Hollywood slapstick heroes have in common? They're all high on a list of must-see movies that David Chase, creator of The Sopranos and director of the 2012 film Not Fade Away, brought us for the occasional Morning Edition series "Watch This."
What unifies them?
Saps At Sea
"When I was a kid, I used to watch Laurel and Hardy with my cousins all the time," Chase says. "I still think they're extremely funny and so surreal."
Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.
This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.
In the early days of New Girl, Jess Day (Zooey Deschanel) was a toddler-sized tutu made flesh: cute, affected, hard to actually dislike, but earning grins largely by doggedly evoking childhood's clumsy and doomed attempts at grace.
Back in the early 1950s, as a lonely, pregnant young wife already ruing her rash elopement, Edna O'Brien sobbed through the ending of Flaubert's Madame Bovary and wondered, "Why could life not be lived at that same pitch? Why was it only in books that I could find the utter outlet for my emotions?"
To mangle a familiar quotation from Tolstoy, all regions of Italy are different, but each is Italian in its own particular way.
Suppose the Italian regions were women (humor me here). Lombardia would be a glamorous but unapproachable Milan model. I see Emiglia-Romagna as a wealthy, slightly dowdy widow. Umbria would be the wholesome, friendly girl next door. Unlike the American girl next door where I live, however, this one is a terrific cook.