Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu March 20, 2014

It's Faction Against Faction In A Grim Future Chicago

Tris (Shailene Woodley) and Four (Theo James) train hard as part of the warrior faction Dauntless in Divergent, based on the novel by Veronica Roth.
Jaap Buitendijk Summit Entertainment

The latest teen-girl fiction series to become a movie franchise, Divergent delivers adolescent viewers some bad news and some good news. The bad is that the dystopian future will be just like high school, with kids divided into rigid cliques. The good is that adulthood will be just like high school, so teens face no major surprises.

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Movie Reviews
4:03 pm
Thu March 20, 2014

Foreign Policy, With A Pugnacious French Twist

Arthur (Raphael Personnaz) is a new hire at the French Ministry of Foreign Affairs, where Alexandre Taillard de Worms (Thierry Lhermitte) is the eccentric foreign minister.
Courtesy of Sundance Selects

A frisky tour of the Gallic equivalent of the U.S. State Department, The French Minister boasts robust pacing, screwball-comedy banter and an exuberant central performance. For most American viewers, though, the movie could use footnotes to go with its subtitles.

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Movie Reviews
4:03 pm
Thu March 13, 2014

'Big Men,' Doing Big Business In Africa's Oil Fields

The big men at the center of Big Men are public, private and everything in between.
Jonathan Furmanski Abramorama

There are three categories of schemers in Big Men, Rachel Boynton's illuminating documentary about the oil business in West Africa: businessmen, politicians and bandits. Sometimes, though, it's hard to tell the types apart.

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Book Reviews
4:03 pm
Thu March 6, 2014

'300': An Empire Rises, Dripping In Gore And Glamour

The goth-glam Artemisia (Eva Green) is one of the more memorable characters in 300: Rise of an Empire — and not just because she's commander of the Persian navy.
Warner Bros. Pictures

Originally published on Fri March 7, 2014 8:21 am

Talk about meeting cute: The first time they're alone together, the protagonists of 300: Rise of an Empire rip each other's clothes off. But then Themistokles (Sullivan Stapleton) and Artemisia (Eva Green) can't decide if they want to make love or war.

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Movie Reviews
4:03 pm
Thu February 27, 2014

In 'Stalingrad,' Where The Fog Of War Is Plenty Thick

Teenage civilian Katya (Mariya Smolnikova) shares a ruined apartment with a gang of Soviet soldiers during the battle of Stalingrad in Fedor Bondarchuk's Stalingrad.
Sony Pictures

If you're only going to see one film about the Battle of Stalingrad — and there are many — Stalingrad would be the wrong choice. Russian director Fedor Bondarchuk's treatment of the World War II turning point is shallow and contrived, if sometimes impressively staged. The movie wins points, however, for sheer wackiness.

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Movie Reviews
4:03 pm
Thu February 20, 2014

Zola's Scandalous Raquin Clan, Sordid 'Secret' And All

Therese (Elizabeth Olsen) and Laurent (Oscar Issac) have a scandalous affair — and some real chemistry. But the unevenness of In Secret, adapted from Emile Zola's novel Therese Raquin, moves their plotline away from center.
Phil Bray Roadside Attractions

Emile Zola was one of the founders of naturalism, and his first major work, 1867's Therese Raquin, is full of precise physical description. The novel's plot is utter melodrama, though, and that's the aspect emphasized by In Secret, the latest in a century-long string of film and TV adaptations.

With its small cast of characters and limited number of locations, the book does lend itself to dramatization. In fact, writer-director Charlie Stratton's retelling of Zola's shocker was derived in part from the stage version by Neal Bell.

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Movie Reviews
4:03 pm
Thu February 13, 2014

Two Exiles, Digging Through The Past For Clues To Their Present

Georges Devereux (Mathieu Amalric) and James Picard (Benicio Del Toro) develop a bond as doctor and patient in an intriguing film from French director Arnaud Desplechin.
Nicole Rivelli IFC Films

"It's strange living in a place where people are so sick," observes the title character in Jimmy P.: Psychotherapy of a Plains Indian. James Picard (Benicio Del Toro) is talking about the Topeka clinic to which he's traveled, from his home in Montana, for treatment. But his comment also applies to the world outside the institution's walls.

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Movie Reviews
4:02 pm
Thu February 6, 2014

Family Matters, With A Dose Of Pharmaceuticals

Josiane Balasko and Michel Blanc
A BORREL Courtesy of Rialto

Josiane Balasko's Demi-Soeur suggests that modern pharmaceuticals can abet the storytelling in an old-fashioned sentimental farce: A dose of Ecstasy is all that's required to activate the relationship between Nenette (Balasko), a 60-year-old with the understanding of a first-grader, and her previously unknown half-brother Paul (Michel Blanc).

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Movie Reviews
4:02 pm
Thu January 30, 2014

'Charlie Victor Romeo': In Crisis In The Cockpit

Sam Zuckerman, Noel Dinneen and Nora Woolley play various airplane pilots in Charlie Victor Romeo, a white-knuckle docudrama with dialogue taken from the voice recorders of six planes that crashed between 1985 and 1996.
Collective: Unconscious

Originally published on Fri January 31, 2014 4:24 pm

By the end of Charlie Victor Romeo, almost 800 people will be dead, with hundreds more injured. But this methodical film, adapted from a theater piece first performed in 1999, doesn't actually show any of that carnage. It focuses tightly — very tightly — on a few people who are trying to prevent disaster.

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Movie Reviews
4:02 pm
Thu January 16, 2014

Two Families, Decidedly Unalike In Dignity

Ryota Ninomiya (Masaharu Fukuyama) and his son Keita (Keita Ninomiya) wrestle with identity and belonging in Like Father, Like Son.
Sundance Selects

Tokyo filmmaker Hirokazu Kore-eda is known for deft work with kids, sometimes in scenarios with little or no adult presence. But the English-language title of his latest movie, Like Father, Like Son, is a little misleading. There's no reference to a child in the Japanese title, which means "And So He Becomes a Father."

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Movie Reviews
4:02 pm
Thu January 9, 2014

In A Past-Plagued Laos, A Youth Chases A Future

Kia (Loungnam Kaosainam) and Ahlo (Sitthiphon Disamoe) bond when they encounter each other in a Laotian refugee village in The Rocket.
Tom Greenwood Kino Lorber

Originally published on Thu January 9, 2014 5:02 pm

To help his struggling family and escape his own status as an outcast, a plucky young boy enters a competition. Yes, The Rocket is a sports movie, with an outcome that's easily foreseen. The cultural specifics of this Laos-set tale, however, are far less predictable.

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Monkey See
12:20 pm
Tue January 7, 2014

A Hong Kong Film Titan, With A Reach Well Beyond His Roots

Run Run Shaw, pictured with his wife and daughter in London, was knighted in 1978 for his philanthropic endeavors.
Central Press Getty Images

The Hong Kong entertainment magnate and philanthropist Run Run Shaw, who died today at 106 or 107, isn't that well known in the West. But his fans, from Quentin Tarantino to the Wu-Tang Clan, sure are.

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Movie Reviews
10:19 am
Mon January 6, 2014

From 'Cinema Paradiso' Director, An Offbeat 'Offer'

Geoffrey Rush plays an obsessive art auctioneer in The Best Offer, a mystery-cum-romance from the director of Cinema Paradiso.
Stefano Schirato IFC Films

A stylish if ultimately silly attempt to marry erotic puzzler and art-world critique, The Best Offer benefits from assured performances and an agreeably nutty Ennio Morricone score. The movie plays as if director Giuseppe Tornatore (best known for Cinema Paradiso) is doing all he can with a dubious script. But he's the one who wrote it.

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Movie Reviews
2:03 pm
Tue December 24, 2013

A Wall Street Predator With An Appetite For Excess

Leonardo DiCaprio plays a profoundly corrupt stock-market manipulator in The Wolf of Wall Street, based on the real-life story of convicted fraudster Jordan Belfort.
Mary Cybulski Paramount Pictures

Originally published on Tue December 24, 2013 2:21 pm

Several times during The Wolf of Wall Street, the wolf himself turns to the camera and offers to explain some stockbroker term or strategy. But then he stops himself and says it doesn't really matter.

It sure doesn't — not in this exuberant but profitless bad-behavior romp. It's based on the career of former penny-stock magnate Jordan Belfort, but might as well be about Keith Richards in the '70s or Robert Downey Jr. in the '90s.

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Movie Reviews
4:01 pm
Thu December 19, 2013

'The Selfish Giant' Spins A Grim Modern Fairy Tale

Living in poverty and expelled from school, Arbor (Conner Chapman) turns to collecting scrap metal with a cart and horse in The Selfish Giant.
Agatha A. Nitecka Sundance Selects

Originally published on Thu December 19, 2013 6:08 pm

In Oscar Wilde's fairy tale The Selfish Giant, the title character brings eternal winter to his garden by banishing children from it. Writer-director Clio Barnard's film of the same name was inspired by Wilde's fable, yet is much different.

The original story was for kids; the movie is about kids, but its grim depictions of violence against innocents may be too harrowing even for some adults. Yet the movie is engrossing, and sure to linger long after its poignant culmination.

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