Kevin Whitehead

Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross.

Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.

He is the author of Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).

His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.

Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.

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Music
12:20 pm
Mon July 7, 2014

The Westerlies Come On Home With Horvitz

The Westerlies is a quartet of young New York brass players who know each other from school days in Seattle. Their debut album is a set of pieces by Seattle-based composer and improviser Wayne Horvitz. Jazz critic Kevin Whitehead says Horvitz and the Westerlies are a perfect fit.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

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Music
2:00 pm
Fri June 20, 2014

Remembering Horace Silver, Hard Bop Pioneer

Jazz pianist, bandleader and composer Horace Silver died Wednesday at age 85. Fresh Air critic Kevin Whitehead says that Silver had been off the scene awhile, but his influence is as strong as ever. Hear an appreciation.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Music
2:06 pm
Wed June 18, 2014

A Double Dose Of Ronald Shannon Jackson's Free-Funk

Two fine albums by drummer Ronald Shannon Jackson and the Decoding Society, Man Dance and its sequel Barbeque Dog, are now available again as downloads, after being out of print for ages. Fresh Air critic Kevin Whitehead says they're prime examples of the 1980s' so-called "free-funk" movement.

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Music Reviews
10:47 am
Fri May 30, 2014

Jazz Pianist Ted Rosenthal Has A Feel For Gershwin

Originally published on Mon June 2, 2014 10:45 am

Transcript

DAVE DAVIES, BYLINE: This is FRESH AIR. Ted Rosenthal an early winter of the Thelonious Monk Piano Competition has played George Gershwin's "Rhapsody In Blue" solo and with symphonic and jazz orchestras. Now he's recorded a version for jazz trio as part of the problem. Jazz critic Kevin Whitehead says Rosenthal has a real feel for the material.

(SOUNDBITE OF SONG, "RHAPSODY IN BLUE")

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Music Reviews
11:05 am
Fri May 16, 2014

In 1970, Miles Davis Played Four Sets For A New Audience

Originally published on Mon May 19, 2014 12:36 pm

Transcript

DAVE DAVIES, HOST:

In June 1970, Miles Davis played four nights at New York's rock palace Fillmore East, following earlier appearances there and at San Francisco's Fillmore West. A complete recording of all four of those June sets are now available for the first time.

Jazz critic Kevin Whitehead says the jazz trumpeter had gone to the Fillmore in search of a new audience.

UNIDENTIFIED MAN: Good evening. With great pleasure, Mr. Miles Davis.

(APPLAUSE)

(SOUNDBITE OF MUSIC)

MILES DAVIS: (Instrumental)

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Music Reviews
1:14 pm
Mon March 24, 2014

After A Painful Year, Bud Powell's Triumpant 1953 Return

Bud Powell pioneered bebop-style improvisation on the piano.
Metronome Getty Images

The great bebop pianist Bud Powell played several engagements at the New York jazz club Birdland in 1953. Parts of his shows were broadcast on the radio, and one listener recorded some onto acetate discs. A new collection of those recordings is out now: Birdland 1953 on three CDs from ESP-Disk'. The sound quality isn't much, but the music is terrific.

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Music Reviews
11:56 am
Wed March 12, 2014

Box Set Illustrates Clifford Jordan's Impeccable Taste In Musicians

Originally published on Wed March 12, 2014 1:05 pm

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. Starting in the late 1960s, jazz saxophonist Clifford Jordan produced a series of recordings mostly by other leaders that came out on the musician's own Strata-East label. Those seven albums are now collected in a box set. Jazz critic Kevin Whitehead says Jordan the producer had impeccable taste in musicians.

(SOUNDBITE OF MUSIC)

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Music Reviews
2:02 pm
Tue February 25, 2014

Still 'Out To Lunch' 50 Years Later

Eric Dolphy in Copenhagen, 1961.
JP Jazz Archive Redferns

Originally published on Tue February 25, 2014 4:15 pm

1964 was a great year for cutting-edge jazz records like Albert Ayler's Spiritual Unity, John Coltrane's A Love Supreme and Andrew Hill's Point of Departure. But none sounds as far ahead of its time as Eric Dolphy's masterpiece Out to Lunch, recorded for Blue Note on Feb. 25, 1964.

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Music Reviews
2:43 pm
Tue February 11, 2014

In Session: Frank Wess' 'Magic 201' Offers One Last Lesson

Frank Wess.
Hiroyuki Ito Getty Images

Originally published on Wed February 12, 2014 11:35 am

Frank Wess' new album, Magic 201, is a sequel to last year's similar helping of ballads and midtempo strollers, Magic 101. The new album is very nearly every bit as good, and made a little more poignant by Wess' death just before Halloween. On his last session as a leader in 2011, he was still sounding strong at 89.

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Music Reviews
3:08 pm
Fri January 31, 2014

Too Much Of A Good Thing? Jane Ira Bloom's Beautiful Ballads

Jane Ira Bloom.
Johnny Moreno Courtesy of the artist

When soprano saxophonist Jane Ira Bloom plays Kurt Weill's "My Ship" on her new album Sixteen Sunsets, a pale glow around her notes comes from a simple special effect: pointing her horn under the hood of a piano whose strings are free to resonate. Bloom has always been preoccupied with sound, and has one of the prettiest, clearest tones around on soprano.

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Music Reviews
11:02 am
Mon January 20, 2014

Lafayette Gilchrist: An Old Soul, At Ease In A Modern World

Lafayette Gilchrist.
Leo H. Lubow

Originally published on Mon January 20, 2014 12:57 pm

For someone who came to piano rather late, at 17, Lafayette Gilchrist has dug deep into its history. He loves the old piano professors who'd pack the punch of a dance band into two hands at the keyboard. Players like Eubie Blake, James P. Johnson and Willie "The Lion" Smith could keep going for hours without exhausting their folkloric materials.

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Music
10:00 am
Thu January 9, 2014

Kenny Clarke, Inventor Of Modern Jazz Drumming, At 100

Kenny Clarke in 1971.
Wikimedia Commons

Originally published on Thu January 9, 2014 4:50 pm

Jan. 9 marks the 100th birthday of drummer Kenny Clarke. One of the founders of bebop, Clarke is less well-known than allies like Dizzy Gillespie and Thelonious Monk, but his influence is just as deep.

That thing that jazz drummers do — that ching-chinga-ching beat on the ride cymbal, like sleigh bells? It gives the music a light, airy, driving pulse. Clarke came up with that, and that springy shimmer came to epitomize swinging itself.

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Music Reviews
2:57 pm
Wed December 18, 2013

Michele Rosewoman Goes Back To Afro-Cuban Jazz's Future

Michele Rosewoman (bottom right) is joined by batá percussionists in performance with her New Yor-Uba Ensemble in 2013.
Tom Ehrlich Courtesy of the artist

When Michele Rosewoman was growing up in the Bay Area, she played piano from childhood and congas from her teens. After moving to New York in the late 1970s, she began making music in two areas: modern jazz and traditional Cuban music. Before long, she started combining the two in her New Yor-Uba band.

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Music
12:40 pm
Mon December 16, 2013

Holiday Music To Bring Folks Together

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. With so much contention in air around holiday get-togethers, jazz critic Ken Whitehead wonders if music might help bring together folks with opposing views. He has some listening and viewing recommendations for seasonal dinners.

(SOUNDBITE OF SONG, "TEEN TOWN")

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Music Reviews
12:19 pm
Wed December 11, 2013

Ella Fitzgerald's Early Years Collected In A Chick Webb Box Set

Ella Fitzgerald sings with bandleader Chick Webb in Asbury Park, N.J., in 1938.
Hulton Archive Getty Images

Originally published on Thu December 12, 2013 8:44 am

Drummer Chick Webb's 1930s orchestra terrorized competitors in band battles and sent dancers into orbit at Harlem's Savoy Ballroom. They could be similarly explosive on record, but only rarely. Early on, they did have some hot Edgar Sampson arrangements that Benny Goodman would soon turn into hits, like "Blue Lou" and "Don't Be That Way." But the Webb band also had an old-school crooner, Charles Linton, with pre-jazz-age enunciation.

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