Jacki Lyden

While we may always be concerned with the lives of the rich and famous, the rich and famous don't always deserve that concern. Even in the hands of the legendary biographer Mary Lovell, I wondered if the denizens of The Riviera Set would sustain our interest five decades on, for the book ends in 1960 — and ostentatious wealth is now on a nasty bender.

Beginning Friday, the New York branch of the Smithsonian's National Museum of the American Indian will host the exhibit Native Fashion Now, a traveling show from the Peabody-Essex Museum in Salem, Mass. It highlights a dazzling array of contemporary fashion made by dozens of Native American designers.

Recently, on a hot summer morning with cumulus clouds towering overhead, black cattle grazed in South Florida fields, dotting the horizon along with clumps of palm trees. At the Big Cypress Reservation, Moses Jumper is a tribal elder and owner of nearly 300 head — and a fourth-generation cattleman.

Seminole patchwork is not well-known outside the state of Florida. The Seams looks at culture through clothing — and within this hand-sewn and folded patchwork is the story of the Seminole Tribe of Florida.

Elsa Schiaparelli, known as the Queen of Fashion, was the supreme innovator of dress design in the first half of the 20th century. Based in Paris, she seemed to know what women wanted before anyone else, says author Meryle Secrest. But Secrest's new Elsa Schiaparelli: A Biography begins with the designer's emotionally starved, lonely childhood in a vast palazzo in Rome.

It can be hard to talk about clothes in an intelligent way. Fashion critic Kennedy Fraser once wrote in The New Yorker that the act of donning a garment can seem almost furtive or trivial, something beneath debate or intellectual content. The editors of Women in Clothes would agree that it's a challenge. The book collects essays, conversations, pictures and testimonials from more than 600 women talking about how clothes shape or reflect them as human beings.

In a small shed in Tenancingo, Mexico, partly open to the sky, about a half-dozen men stand behind huge wooden looms. They pedal side-by-side, their churning feet making a beautiful harmony as they craft handmade rebozos.

Rebozos, long rectangular shawls that came into style in Mexico in the 16th century, and the huipil, a woven and embroidered blouse or dress of pre-Columbian origin, are the main elements of Mexican traditional dress.

Thursday in New York, the Metropolitan Museum of Art officially reopens its fashion galleries after a $40 million, two-year renovation.

Named for Vogue magazine's editor, the Anna Wintour Costume Center features an inaugural exhibit of the work of Charles James, a flamboyant designer considered America's first couturier. This caps days of glamorous events at the Met, including the Costume Institute's benefit gala, presided over by Wintour — with Hollywood stars.

In the mid-1960s, society was changing; shaking off old ideas and trying on new ones for size. There were changes on the political front, like the civil rights movement and the looming war in Vietnam, as well as on the cultural front, with new celebrities popping up on TV every night.

Last year, there were more than two-dozen shootings on or near college campuses in the United States. This past Tuesday, that number went up, with the fatal shooting of a student at Purdue University. Then Friday, a fatal shooting at South Carolina State University. It will, of course, tick up again.

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Arpeggios ricochet through three speakers and envelop us. We're on the modernist Bauhaus staircase at the Museum of Modern Art in New York, listening to techno-inspired electronica. This piece is part of a new exhibit, "Soundings: A Contemporary Score," that opens today.

BARBARA LONDON: I wanted work that pushed limits, pushed boundaries.



And if you're just joining us, this is WEEKENDS on ALL THINGS CONSIDERED from NPR News. I'm Jacki Lyden.

In the winter of 2012, I came across a story on a drive through central coastal Florida in the town of Fort Pierce. Route 1 is now dominated by strip malls and fading condos, but the Florida of the 1950s and '60s was a candy-colored Eisenhower, Kennedy space-age dream of flaming red Poinciana trees and untamed beaches.

When you hear the word dandy, what do you think of?

Maybe the song "Yankee Doodle Dandy," which dates all the way back to the Revolutionary War, and compares the colonists to foppish, effeminate idiots: the dandies.

But a summer exhibit at the Rhode Island School of Design Museum, closing Aug. 18, aims to reclaim the term. It explores dandyism through the ages, linking to the cutting edge of men's fashion and style. The name of the show is "Artist, Rebel, Dandy: Men of Fashion" — which does still leave you wondering what you might see.

Canadian astronaut Chris Hadfield arrived at the International Space Station late last month. He has kept busy updating his Twitter followers about life in space. For those on Earth wondering what space sounds like, Hadfield has recorded the sounds of everyday life aboard the ISS, including a toilet flushing.

The Bark River is my backyard, childhood river. And yet, in a lifetime of travel, I'd never explored it.

I knew it carved the land from the Ice Age to settlement times, from the Black Hawk War of 1832 (in which young Abraham Lincoln appears) to the era of grist mills. But the Bark also flows past impressive Indian mounds. It nurtured poets, naturalists and farmers.

When former Marquette University professor Milton Bates published his Bark River Chronicles through the Wisconsin State Historical Society, I jumped at the chance to learn about the river with him.

In the 1960s, Al Black could be found cruising up and down Route 1 in his blue-and-white Ford Galaxy — with a trunk full of wet landscape paintings.

At the time, he was a salesman who could snatch your breath away and sell it back to you. As artist Mary Ann Carroll puts it, he could "sell a jacket to a mosquito in summer."

"A salesman is a con-man," Black readily admits himself today. He's a storyteller. And does he have stories to tell.

In the 1960s and '70s, if you were in a doctor's office, or a funeral home, or a motel in Florida, chances are a landscape painting hung on the wall. Palms arching over the water, or moonlight on an inlet. Tens of thousands of paintings like this were created by a group of self-taught African-American artists, concentrated in Fort Pierce, Fla.

Ever wanted to just disappear into a secret garden of earthly delights, of twists and turns of evocative ruin, exuberant tropics, the Zen of a Japanese teahouse?

Consider Chanticleer, in Wayne, Pa. It's part of the old Main Line ring of estates around Philadelphia. In fact, right across the street from the garden is the former home of Helen Hope Montgomery Scott, the heiress portrayed by Katherine Hepburn in Philadelphia Story.