Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

These days, virtually every type of music imaginable is at our fingertips nearly anytime, anywhere. But for decades, getting that kind of access meant trekking to an actual store, where the store buyers were tastemaking kings. Throughout much of the 1980s, and especially during the CD boom of the '90s, Tower Records locations across the U.S. were meccas for music fans.

Actor Colin Hanks — Tom's son — loved Tower so much, he spent seven years making a documentary about the chain. It's a love letter to Tower Records called All Things Must Pass.

Each June 21, the one-day Make Music New York festival (MMNY) celebrates not just sound but community. It's a summer solstice gathering of the tribes for music makers and music lovers alike, with more than 1200 outdoor concerts across the five boroughs running from morning till night.

Why is classical music so hard to enjoy on streaming services? In one word, it's metadata. Metadata is the information that coexists with every digital music file: each and every piece of information about a selection of music that a listener might find useful to know, and what makes the information in one file discernible from the next. In the case of classical music, relevant and important metadata includes the name of the piece of music, the composer, the album it's from, the performers, the label that released the recording and the year it was recorded.

Margaret Juntwait was the mellifluous voice of the Metropolitan Opera's Saturday live radio broadcasts. She was also a longtime host at NPR member station WNYC in New York. Juntwait died Wednesday at age 58 of complications from ovarian cancer. The Met and WNYC have each offered tributes.

There's a kind of little village of artisans on Manhattan's West 54th Street. In a couple of plain looking office towers, there are a bunch of rehearsal studios, violin makers' workshops and other music businesses. Behind one of those office doors on the 10th floor sits Frank Music Company — Frank's, as everybody calls it.

Four a cappella voices making divine music: This has been the heart of Anonymous 4's mission for nearly three decades. And as the group bids farewell this season, they're saying goodbye in a poignant way — with the release of an album that couldn't feel more timely. It commemorates the 150th anniversary of the end of the Civil War and the beginning of Reconstruction.

"Did you know that every time musicians pick up their instruments, there are fireworks going off all over their brain?"

Flutist Yukie Ota spoke with NPR's Scott Simon about her encounter with a too-friendly insect this week; hear their conversation at the audio link and read on to learn more.

Italian-American lyric soprano Licia Albanese, known for her deeply felt character portrayals, died Friday at her home in New York, her son, Joseph Gimma, told NPR Music Saturday. She was 105 years old.

Last month, The New Yorker announced that it was teasing a new "freemium" version of its website (which launches this fall) with an alluring proposition. All of its most recent pieces, plus the full archives back to 2007 and some even older selections, are free for the rest of the summer.

So we took this opportunity to dig up some delicious classical music-minded pieces from the magazine's archives. They're perfect long reads for a lazy August afternoon.

An astonishing conversation has emerged in the weeks since Irish mezzo-soprano Tara Erraught began her run as Octavian at the Glyndebourne Festival in England. Erraught was excoriated by a handful of male London critics for her weight — prompting a widespread backlash on her behalf in the aftermath of those reviews.

Twenty-nine gentle measures by Felix Mendelssohn are creating quite a stir — after being lost for more than a century.

She's probably not among your first, or second, or 10th, or 20th-round guesses, but the NFL just announced that American soprano Renee Fleming will sing the national anthem at Super Bowl XLVIII on Feb. 2.

Composer Benjamin Britten, whose 100th birth anniversary falls on Nov. 22nd, is so deeply associated with his native England that he's on a new 50-pence coin issued by the Royal Mint.

British composer Benjamin Britten was born 100 years ago this Friday, Nov. 22. Before you ask "Benja-who?" consider this: Did you see Wes Anderson's film Moonrise Kingdom last summer, or Pedro Almodovar's Talk to Her back a decade or so ago? (Well, maybe you have to be an art-house denizen for those.

An old video is suddenly making the internet rounds, because living vicariously through a performance nightmare is an ever-popular sport, I guess. (And we've collected plenty ourselves.)

In Minneapolis right now, even small matters have the potential to escalate — fast. Take the latest flashpoint in the Minnesota Orchestra's ongoing tribulations, which in about 24 hours has flared up a lot of ire in the classical community.

About a week ago, a semi-professional musician, blogger and longtime fan of the Minnesota Orchestra named Emily Hogstad was talking with some fellow Minnesota fans about the possibility of organizing a dedicated group of music lovers who want to see an end to the longstanding labor disputes at the Minneapolis-based ensemble.