Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter and producer for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

Today, Amazon announced the debut of an on-demand music-streaming service called Amazon Music Unlimited. With a subscription model like Spotify and Apple Music, Amazon will charge standard subscribers $10 per month; for Amazon Prime subscribers, just $8 a month; and for users of its Echo devices, only $4 a month.

Sick of getting your view blocked at live shows by people holding up their phones? Apple was granted a patent yesterday for technology that can disable those cameras — at least in specific places.

One of the world's best-known and best-loved classical musicians has joined the ranks of artists refusing to perform in North Carolina. Violinist Itzhak Perlman canceled an appearance scheduled for Wednesday with the North Carolina Symphony in Raleigh to protest HB2, the controversial North Carolina law limiting civil rights protections for LGBT people.

In 2014, Sergei Roldugin told the New York Times, "I don't have millions."

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You never know who you're going to meet at a party. In the case of one young man and woman, a Halloween celebration in New York City led not just to a love affair — it became part of the fabric of modern Cuba.

NPR's Audie Cornish spoke with Frannie Kelley of NPR Music's podcast Microphone Check about Kendrick Lamar's untitled unmastered. You can hear their conversation at the audio link.

Hip-hop fans received a surprise Thursday night: an unexpectedly released project from Kendrick Lamar called untitled unmastered.

The technology of the day has everything to do with how you get your music — and the music business is pushing more and more toward streaming.

With services like Spotify, Pandora, Tidal and Apple Music, there are a bunch of companies that want your ears — and your money.

It seemed like there was something for everybody at the 2016 Grammy Awards. Mark Ronson's high-spirited "Uptown Funk," featuring Bruno Mars, won Record of the Year. The songwriting award, Song of the Year, went to Ed Sheeran and Amy Wadge's "Thinking Out Loud," while Taylor Swift won Album of the Year for 1989.

The nominations for the 58th annual Grammy Awards, though, were pitched as something of a showdown between pop and hip-hop. In certain ways, neither won outright — but both genres' reigning queen and king emerged as winners.

A battle between upbeat, finely crafted pop and politically minded hip-hop seems to be what's shaping up for the biggest prizes at this year's Grammy Awards. The nominees were announced this morning, in advance of the awards ceremony on Feb. 15.

These days, virtually every type of music imaginable is at our fingertips nearly anytime, anywhere. But for decades, getting that kind of access meant trekking to an actual store, where the store buyers were tastemaking kings. Throughout much of the 1980s, and especially during the CD boom of the '90s, Tower Records locations across the U.S. were meccas for music fans.

Actor Colin Hanks — Tom's son — loved Tower so much, he spent seven years making a documentary about the chain. It's a love letter to Tower Records called All Things Must Pass.

Each June 21, the one-day Make Music New York festival (MMNY) celebrates not just sound but community. It's a summer solstice gathering of the tribes for music makers and music lovers alike, with more than 1200 outdoor concerts across the five boroughs running from morning till night.

Why is classical music so hard to enjoy on streaming services? In one word, it's metadata. Metadata is the information that coexists with every digital music file: each and every piece of information about a selection of music that a listener might find useful to know, and what makes the information in one file discernible from the next. In the case of classical music, relevant and important metadata includes the name of the piece of music, the composer, the album it's from, the performers, the label that released the recording and the year it was recorded.

Margaret Juntwait was the mellifluous voice of the Metropolitan Opera's Saturday live radio broadcasts. She was also a longtime host at NPR member station WNYC in New York. Juntwait died Wednesday at age 58 of complications from ovarian cancer. The Met and WNYC have each offered tributes.

There's a kind of little village of artisans on Manhattan's West 54th Street. In a couple of plain looking office towers, there are a bunch of rehearsal studios, violin makers' workshops and other music businesses. Behind one of those office doors on the 10th floor sits Frank Music Company — Frank's, as everybody calls it.

Four a cappella voices making divine music: This has been the heart of Anonymous 4's mission for nearly three decades. And as the group bids farewell this season, they're saying goodbye in a poignant way — with the release of an album that couldn't feel more timely. It commemorates the 150th anniversary of the end of the Civil War and the beginning of Reconstruction.

"Did you know that every time musicians pick up their instruments, there are fireworks going off all over their brain?"

Flutist Yukie Ota spoke with NPR's Scott Simon about her encounter with a too-friendly insect this week; hear their conversation at the audio link and read on to learn more.

Italian-American lyric soprano Licia Albanese, known for her deeply felt character portrayals, died Friday at her home in New York, her son, Joseph Gimma, told NPR Music Saturday. She was 105 years old.

Last month, The New Yorker announced that it was teasing a new "freemium" version of its website (which launches this fall) with an alluring proposition. All of its most recent pieces, plus the full archives back to 2007 and some even older selections, are free for the rest of the summer.

So we took this opportunity to dig up some delicious classical music-minded pieces from the magazine's archives. They're perfect long reads for a lazy August afternoon.

An astonishing conversation has emerged in the weeks since Irish mezzo-soprano Tara Erraught began her run as Octavian at the Glyndebourne Festival in England. Erraught was excoriated by a handful of male London critics for her weight — prompting a widespread backlash on her behalf in the aftermath of those reviews.