President Obama minced no words when he talked about how the looming budget cuts known as sequestration could hurt the Justice Department.
"FBI agents will be furloughed. Federal prosecutors will have to close cases and let criminals go," Obama said.
Starting late Friday, if Congress and the White House can't come to an agreement, the Justice Department will face $1.6 billion in cuts — about 9 percent of its budget. Attorney General Eric Holder told a group of state law enforcement officials who met in Washington this week that the situation looks ugly.
Great deeds start out as current events, move on to history, and eventually, with some craft and embellishment, become folklore and legend. This process is central to the structure of Bryan Singer's Jack the Giant Slayer, which merges elements of the familiar folktale of "Jack and the Beanstalk" with the less ubiquitous "Jack the Giant Killer." It sets the story as a kind of midpoint between one "true" story that has become a legend for Jack, just as the events of Jack's "true" story have supposedly passed into the realm of a simple folk story.
It's a mark of a great filmmaker when a movie is felt first and understood later, allowing audiences to intuit their way through a fog of mystery and sensuality before finally getting a clear view of the landscape. Best known for an operatic trio of revenge thrillers — the second, Oldboy, won the Grand Prix at Cannes in 2004 and a fervent cult following — South Korean genre maestro Park Chan-wook expresses florid emotion in cool, impeccable, gothic language.
I grew up on "Hava Nagila," and I'll admit it's not the catchiest of tunes. The ingenuous Hebrew lyrics ("Come! Let us rejoice and be happy!") don't wear well in our age of knowing irony and ennui.
Hip young Israelis wince at the very mention of the song, and for many Diaspora Jews, a few bars of the tune are all it takes to recall that excruciating moment late in a fancy wedding or bar mitzvah, when the band invites all remaining guests (tipsy uncles included) to kick up their heels — and then go home already.
Explosions rattle the crew. The air is turning fetid. And the captain has ordered a descent toward "crush depth." Yet everything is on course in Phantom, the newest model of the old submarine-from-hell picture.
But the predictability of writer-director Todd Robinson's film is, well, predictable. There are only so many things that can happen in the close quarters of an imperiled sub. What Robinson purports to do is show those familiar undersea events from a different vantage point. All the characters in Phantom serve in the Soviet navy of the 1960s.
Undersea things — iridescent creatures, mossy rocks, silky-slimy plants — are just weird. They're fascinating by their very nature, often barely resembling anything we have on land. Lucien Castaing-Taylor and Verena Paravel's half doc, half art project Leviathan capitalizes on that strangeness while linking it to the more prosaic world of commercial fishermen plying their trade off the coast of New Bedford, Mass.
Our next book club adventure takes us on a journey that is familiar to people across generations: We will be taking a trip down the yellow brick road with The Wonderful Wizard of Oz, first published in 1900. It is one of the most beloved stories in popular American culture, but over the decades, the book has taken a back seat to the wildly successful Wizard of Oz film.
Originally published on Fri March 1, 2013 12:30 pm
In February, NPR's Backseat Book Club read a novel about a troubled kid who finds both strength and solace in the artwork of the renowned naturalist John James Audubon. The novel, Okay for Now by Gary D. Schmidt, takes place in 1968 in a little town in upstate New York where middle-schooler Doug Swietek is drowning in life's complications.
On a cold, rainy morning, a van pulls up outside a rural elementary school on the outskirts of Islamabad, Pakistan's capital. The fluorescent green vehicle provides a flash of color on this otherwise gray day. There's a picture of children reading books under a large apple tree, and the words "Reading is fun" are painted in English and Urdu, the national language in Pakistan.
The outgoing energy secretary, Steven Chu, got a rousing ovation this week when he spoke at a summit on energy innovation. But his tenure has been clouded by the department's investment in alternative energy companies that later failed, most notably Solyndra. As Chu leaves office, his real legacy may be the government's ongoing search for energy breakthroughs. NPR's Scott Horsley tells us more.
From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.
It has been a long, strange journey on Capitol Hill for the Violence Against Women Act. Today, after months of debate, the House finally passed an extension of the law, known as VAWA, and sent it to the president. It helps combat sexual assault and domestic violence. But the law had gotten tangled up over other hot-button political issues.
Fourteen-year-old Doug Swieteck seems to be stuck between a rock and a hard place. He has just moved to a new town, where he doesn't have any friends, and where his teachers — and the police — think of him as nothing more than a "skinny thug."
So it's easy to understand why Doug, the protagonist of our latest book for NPR's Backseat Book Club, Okay for Now, is anything but a happy-go-lucky kid.
After a weekend that saw journalists on the Oscars red carpet struggling to pronounce the name of 9-year-old Best Actress nominee Quvenzhané Wallis, we decided to ask the Twitter masses for their funniest or most annoying stories about people mispronouncing their "unconventional" or "ethnic" names.
Here's a few of the best:
Do you have any similar stories? We'd love to hear them in the comments.
For American policy analysts, today's announcement of direct food aid and medical supplies to Syrian rebels is a significant shift. But a top commander in the forces fighting the Syrian regime says it's not nearly enough. NPR's Deborah Amos met that commander in northern Syria today.